SODOM's ANGELRIPPER Interviewed At Bulgaria's KAVARNA ROCK FEST
October 4, 2010Metal Hangar 18 conducted an interview with bassist/vocalist Thomas "Angelripper" Such of German thrash metal veterans SODOM when the band played Bulgaria's now-traditional Kavarna Rock Fest, which took place July 23-25, 2010 at the Black Sea coast's town stadium. You can now watch the chat below.
SODOM's new album, "In War And Pieces", will be released in North America on January 11, 2011 and in Europe on November 22, 2010 via SPV/Steamhammer. The CD was produced by Waldemar Sorychta (GRIP INC., ENEMY OF THE SUN),whose great skill and commitment were instrumental in creating the album's — as Tom calls it — "phat, brutal and open" sound. With Sorychta's support, Angelripper (vocals, bass),Bernemann (guitar) and Bobby Schottkowski (drums) succeeded in adding new impulses to their music without watering down the band's long tradition. "Waldemar is a great musician himself and has done some brilliant work, especially on the guitar sound," Tom explains. "He knows how to get the absolute maximum out of a speaker."
"In War And Pieces" track listing:
01. In War And Pieces
02. Hellfire
03. Through Toxic Veins
04. Nothing Counts More Than Blood
05. Storm Raging Up
06. Feigned Death Throes
07. Soul Contraband
08. God Bless You
09. The Art Of Killing Poetry
10. Knarrenheinz
11. Styptic Parasite
As brutal as the production is the diverse songwriting on "In War And Pieces", a kind of tour de force through the whole history of thrash metal, featuring harsh arrangements, melodic solos and raging vocal attacks. "I feel that we sound more contemporary and structured than we did on our recent releases," Tom analyzes. "At the same time, there are also references to recordings such as 'Persecution Mania' and 'Agent Orange'. After VENOM, SODOM were the world's first angry band, and nothing has changed that." Tom lists as examples the impressive title track, as well as "The Art Of Killing Poetry" with its ultra-deep guitar atmospheres and the German-language song, 'Knarrenheinz', which holds up the tradition of classics such as 'Bombenhagel' and "Ausgebombt". "Knarrenheinz is the mascot on the album cover, that's why I felt he deserved his own lyrics," Tom grins. Talking of album covers: the artwork was designed by Eliran Kantor, who enjoys an excellent reputation on the scene thanks to his work for renowned acts such as TESTAMENT, GWAR and MEKONG DELTA.
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